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You think Chris Brown should burn in hell, but you even though you find it disturbing that Rihanna took him back, you still can’t help dancing in your underwear to “We Found Love.”

You think The Muppet Christmas Carol is the. Best. Fucking. Thing. Ever. It makes you cry, every single time.

You couldn’t live without brunch.

You find dead authors inspiring. The more recently dead, the more inspiring.

You think people are overdoing it with the IKEA monkey, but JFC, that thing is cute.

You love your girlfriend, or you love your boyfriend, or you wish you had a girlfriend, or you wish you had a boyfriend, or you’re happy to be single…in any case, you wish you were having more sex.

You don’t like to admit, to yourself or others, how fascinated you are by Cosmo.

You don’t want to see another picture of Taylor Swift and Harry Styles together ever again.

COFFEE COFFEE COFFEE.

You think your mom was pretty foxy when she was your age. You think your dad was cute, but like cute cute, not like hot cute.

You have a go-to Instagram filter, and you judge people who prefer other ones.

You’ll never kick someone out of your feed for posting too many GIFs.

You try not to think about the fact that someday we’re going to have to have a First Lady who’s not Michelle Obama.

Jay Gabler


GIF via

(Source: thetangential.com)

Tags: Rihanna GIF

Death Will Freak You Out If You Really Stop and Think About It

Last night, in a characteristic bout of insomnia, I reached for my magazine stack and found myself reading one of Christopher Hitchens’s last Vanity Fair columns, from the January issue. He knew he was near death. “So far,” Hitchens wrote, “I have decided to take whatever my disease can throw at me, and to stay combative even while taking the measure of my inevitable decline. I repeat, this is no more than what a healthy person has to do in slower motion.”

Yep, that’s right. We’re all dying, right now. Even the youngest among us have already buckled into our roller-coaster cars and begun ratcheting up the slope from which we’ll rocket down through a wild and wonderful ride that, even at its most thrilling moments, moves forward along a track that will inevitably end. There’s no going backwards.

The idea of death has been popping into my mind with unsettling frequency lately, I think because my family has started the long process of clearing my parents’ house out for eventual sale. That’s meant delving into my embarrassingly vast personal archive, looking at toys, papers, drawings, clothes, and other personal possessions that I haven’t touched in years.

The process has made the past concrete: instead of just remembering the years of “my childhood” in a diffuse haze, I’m remembering the specific hours of playing Transformers baseball and scheming to steal custody of my sister’s Cabbage Patch Kid and narrating mix tapes. It’s a reminder that time is, ultimately, finite—that I’ve done a finite number of things in my life so far, and that in the (hopefully) large but still finite number of years left to me, there are a finite number of things I will do. Sorting through her collection of unread paperbacks in the attic, my mom talked about the moment in her life when she realized that she would never have time to read all the books she wanted to read. “That made me so sad,” she said.

Should we be sad that death is coming? It’s hard not to be a little creeped out by the fact, but there doesn’t seem to be much point in dwelling on it.

My understanding of what youth and age mean changed completely when my grandmother died. By the time she died, Grandma was, by any definition, old: 90 years old. Her life had taken her from girlhood to young adulthood to middle age to a long and productive old age, and her health had weakened significantly in her last year of life, but it struck me that the difference between my grandma as a girl and my grandma as an old woman was nothing compared to the difference between my grandma alive and my grandma not-alive. Even at 90, when alive she was still a part of the world, her mind intact even as her body failed. Then, suddenly, she was gone forever.

If you’re not dead, you’re alive. It’s as simple as that. Whether you’re 5 or 15 or 45 or 85, you’re here among the living.

Christopher Hitchens is no longer among the living, and though few have written so articulately about the experience of dying, I wonder whether even Hitchens was ever really able to wrap his mind around the true meaning of death. Can any of us? Can you really imagine a world where your consciousness—your memories, your personality, everything inside your head—is really and irrevocably gone? Like Hitchens, I’m an atheist, but I understand why the concept of an afterlife is so intuitive. Death has got to be like sleep, right? You wake up, shake it off, and go about your business?

I know this is where I’m supposed to say something hopeful like, “Well, I guess some day we’ll all find out!” I don’t really believe that, though. I expect that when I’m gone, I’ll be gone for good. I’m trying not to think about that, though, because it really freaks me out.

Jay Gabler

Pitchfork has started announcing the lineup for this year’s music festival. Will it be as good as last year’s?

Pitchfork has started announcing the lineup for this year’s music festival. Will it be as good as last year’s?

Tags: GIF

On GIFs

In the latest example of how people never use technology the way you expect them to, animated GIFs are back. GIFs were prized on Web 0.5 for their low resolution (these were dialup days) and zing. Look! It’s not just a page—it’s a screen! We can make things move! And sparkle! We’re not sure what the hell else we’re supposed to do with this “World Wide Web,” but we can definitely make creepy babies dance.

GIFs never really went away—they thrived in teen/nerd/stalker hangouts like Xanga—but there was a dark period a few years back, as the last holdouts were abandoning the gaudy MySpace for the classy and efficient Facebook, when GIFs were seriously uncool. Facebook has never held truck with GIFs, and they seemed to be betting that video was the way of the future. Those of us at news publications were told that if we weren’t producing video content, we were out of it and getting farther out.

Video is still important online, but GIFs have suddenly resurged—as though digital 3D projection found itself unexpectedly competing with the zoetrope. Tumblr, a socially-oriented blogging platform, has embraced GIFs and been rewarded with exponential growth. GIF Shop, a fantastic new mobile app, allows users to create and upload animated GIFs straight from their phones.

What’s the appeal? Well, part of GIFs’ appeal is retro, like cassette tapes’. They’re lo-fi, and having been “replaced” by YouTube, they’re kind of endearingly awkward. 80s and 90s TV shows and movies are, appropriately, favorite GIFfing subjects. (Via glitterguts.)

But GIFs also have a unique quality that’s lost in longer-form videos. They’re the real-world equivalent of the living photos in Harry Potter’s universe—always moving, never changing. GIFs capture a moment in a way that a single photo can’t, but still, they capture a moment and not a minute. Watching a family video (at least, one of ours) could take hours. Watching this GIF of my nephew takes less than a second.

Of course, GIFs’ possibilities aren’t restricted to the strictly documentary. Video artist Matt Bardins posts far-out original creations at yepnope.tumblr.com. One of the Web’s masters of pointed GIF-making is the anonymous creator of Holy Maury Mother of God, a Tumblr that takes moments from Maury Povich’s talk show and immortalizes them in endlessly looping animation. The results are alternately riotous, thought-provoking, and oddly poignant. (Read my essay on the art of Holy Maury, and my interview with the blog’s creator, in the Twin Cities Daily Planet.)

I recently covered the Pitchfork Music Festival for both the Daily Planet and The Tangential, with Becky Lang, who threw the phrase “GIFs as journalism” around a lot on our Chicago trip. Most of The Tangential’s reporting from Pitchfork took GIF form, and people dug it.

My Daily Planet coverage (forthcoming) will feature GIFs of the bands at Pitchfork; I’ve found GIF-making to be a distinctive and fun way to cover music, theater, and community events. It may not be the kind of journalism they teach at Murphy Hall, but it is journalism nonetheless. Will GIFs ever break into mainstream journalism? There are GIFs of the Twin Towers falling. Should there be?

- Jay Gabler

Tags: GIF

The People of Pitchfork—in GIFs (Part Three)

- Photos by Jay Gabler

More to come! Also see Part One, Part Two, and Part Three on our site with a bonus GIF

Tags: GIF

The People of Pitchfork—in GIFs (Part Two)

- Photos by Jay Gabler

More to come! Also see: Part One. For larger images, see this post on our site.

Tags: p4kfest GIF